Tuesday, September 20, 2011

Copyright and the Visual Artist




FOR IMMEDIATE RELEASE
Contact: Precious Leano, FILVADRO Executive Director
Mobile: 0917 828 8690


FILVADRO UPHOLDS COPYRIGHT OF VISUAL ARTISTS
Collective Management Organization to be launched in Copyright Forum at the CCP

The Filipino Visual Arts and Design Rights Organization (FILVADRO), the country’s collective management organization (CMO) for the visual arts, will be launched in a copyright forum at the Cultural Center of the Philippines (CCP) on 22 September, 2-5 pm.
International copyright expert Atty. KT Ang from the Confederation of International Societies of Authors and Composers (CISAC) will speak to visual artists about how to manage the licensing of artworks and how CMOs, with focus on models abroad, support the visual artist’s work.  Also speaking during the forum will be Atty. Mark Robert Dy of the Intellectual Property Office of the Philippines who will present the Copyright law including, the national system of Registration.

FILVADRO was organized by key visual artists and cultural workers after a series of consultations was conducted in 2009 by the Intellectual Property Office of the Philippines. Visual artists, including painters, photographers, sculptors, and graphic artists,  have stated in the consultations that there is a need for a visual arts CMO that would assert copyright for the individual. An informal survey conducted during the consultations showed that 100% of visual artists who participated in the survey have not received resale royalties.  
 “FILVADRO acts on behalf of its members to address copyright concerns, mainly the collection of resale rights for artwork sold after the first purchase, the licensing of art images for publication on all kinds of print and digital media, and the reproduction of art on items used for profit and promotion.  It will represent artists in the collection of royalties from copyright users and will be able to extend this representation to other countries where FILVADRO has  partner CMOs,” said Karen Ocampo Flores, noted visual artist and President of FILVADRO.

FILVADRO has recently signed a sister society agreement with the French La Societies Des Auteurs Dans Les Arts Graphiques Et Plastiques (ADAGP), the oldest visual arts CMO in the world. Likewise, FILVADRO is working closely with BONO, the Norwegian CMO for the visual arts.

FILVADRO was founded by noted artists Alex Baluyut, Yael Buencamino, Tina Colayco, Noel Cuizon, Egai Talusan Fernandez, Karen Ocampo Flores, Emmanuel Garibay, Jeannie Javelosa, and cultural worker Precious Leano.   Sculptor and new media artist Josephine Turalba and ceramicist Rita Badillo has recently joined the current Board of Trustees of FILVADRO.

The FILVADRO Forum and Launch is supported by the Cultural Center of the Philippines, Intellectual Property Office of the Philippines, CISAC, and the Norwegian Copyright Development Association (NORCODE).





Monday, September 12, 2011

IRS journeys on to 7


and just like that... we are back.





Monday, September 5, 2011

Filipino Brands... Chilling


Filipino brands can be quite chilling... 

This one's for an ice cream stall in Market Market, Taguig City.






Thursday, August 11, 2011

iSchools SAPOT develops IP sensitive Content for Students; IPO status Scored


Original article found at:


by: Kairos Dela Cruz

“Safeguarding the rights of others is the most noble and beautiful end of a human being”.

We all know our rights, sometimes we even overshoot on assuming them. The latter even makes some of us neglect the existence of others and the rights that are intrinsic to them. In cases of violence, people know about their human rights. In cases of trials, even the accused parties have the guts to assume their rights to remain silent. In the cases wherein students duplicate or photocopy resource materials, the Philippines appear to be blatant in transgressing intellectual property issues.

Should this be the case and future of Philippine education? Students stealing to become educated?

iSchools Project says NO.

iSchools Project, a government-funded ICT-education integration program, seeks to educate students not just by giving them free computer laboratories and training workshops; but also by providing them with intellectual property- sensitive educational materials.


SAPOT Participants (institutional/individual partners and project staff) pose for a group pick at Angels' Hills, Tagaytay last July 20-22, 2011.

The project seeks to provide high-quality educational content to the project’s high school recipients through its Content Mapping Initiative (CMI), more popularly coined as Supplementary Academic Philippine Online Treasury (SAPOT). The initiative is part of the project’s thrust in empowering the major stakeholders (teachers, students, and community members) of its recipient schools.


Representatives from iSchools partner institutions meet up with iSchools Project Manager, Toni Torres (in maroon) to insure the smooth flow of SAPOT.


As Toni Torres, iSchools Project Manager, puts it “iSchools Project believes that ICT can propel the Philippine education system but the project will not compromise any values in doing so. 
Content, especially in education, comes at a price that not everyone can afford. To help in solving the problem, iSchools would provide free content materials in different subjects, materials that will undergo rigorous academic scrutinizing. Permissions from the “whose” end of these content materials will be coordinated and negotiated by the project”.

In the recent outlining and primary mapping workshop for CMI, iSchools Project joined hands with major academic, cultural and legal institutions at Angels’ Hills, Tagaytay City last June 20-22, 2011. Among the many subject matter experts, Atty. Mark Dy of the Intellectual Property Office (IPO-Phils.) was given the chance to explain the need and implications of insuring that CMI would not transgress any level of the intellectual property rights of the proponents of the content materials that the initiative wishes to include in the final content map.

According to Atty. Dy, “Respect for intellectual property is a strong indicator of quality creative & educational content. Designing world-class educational material always includes proper referencing, attribution and copyright clearance for all the components used in the project. This way, credit is given to those who deserve it and the entire project is kept fresh and original”.

iSchools SAPOT will distribute the content materials to project recipient high schools tentatively through three major media- an online portal, portable external hard disk, and a magazine-type catalog. All of these materials will be distributed free of charge.


Atty. Mark Dy from the Intellectual Property Office (IPO) briefs SAPOT participants about the possible IP implications of the initiative.


During Atty. Dy’s lecture he came across why initiatives such as SAPOT are pushing a holistic change for intellectual property in the Philippines. iSchools SAPOT is one of the first of its kind but it would not be the last of iSchools’ attempts in bridging the digital divide.

The creative, scientific and academic communities must demand greater institutional support for copyright in the Philippines if we want our creative content to flourish. Senate Bill 2487, once passed into law, will create the Bureau of Copyright under the Intellectual Property Office, dedicated to copyright policies and programs. Presently, our Intellectual Property Office only has an ad hoc team composed of two lawyers and about 10 support personnel manning the entire copyright system of the country. In contrast, South Korea has about 800. We urge everyone to support the passing of Senate Bill 2487 and lift Filipino creativity to the very top”, Dy added.

Attributing the author with due recognition is a basic in respecting intellectual property; here is an example.

Khalil Gibran, an internationally acclaimed philosopher, and author may sound too noble and too ideal when he published the opening line. In all honesty, maybe the world can use a little of this nobility and idealism.

Monday, August 8, 2011

Jollibean


from www.jollibean.com

Yes, Singapore copies too.

I don't know the real story... whether Jollibee has ever tried to sue or whether they can even win this case.

This can certainly be an interesting debate about protecting well-known Filipino marks. 

If Jollibee can't be protected as THE well-known mark, then all others might as well be lost in overseas commerce.

Have a cup of Jollibean while you think about it...

from www.jollibean.com